Wednesday 15 August 2012

Sign, What is I? & To Kitty Pryde


Sign

A corner of air
A banjo of time
The smell of a death-rattle
The mind of insomnia
Running through my sleep

A calotte of nape
Cut off at the neck
An isle of wonder
Reaching seven skies
Hacked down in terra

A stem of shedded skin
A tamp on my pipe
A skull in the works
The majority fool
In a matchbox kiss

A breath of hair
The width of breadth
Cuts out a stop
On pizzicato openers
Signalling wind

Dew of drops
Drizzle a placemat
On an abandoned sane
Of musk-eyed winkles
Beckoning see, saw

To syringe the limbs
Of rotting meat



What is I?

One is I. Alone is one. Obtuse. Selfish
As a pronoun, I. The me of this
Peculiar consideration. In connection:
Individual; stratified. Am. Therefore,
When commenting upon my... Inspiration
Eyes shrug lidlessly. Where? We know where:
The eighteenth brumaire, strikes dumb, blows
Apart; but when the latter don’t-they-know-its
Impart that that’s what they needed emotionally,
One but thinks, but who are they? The Is of this
World, which cross the dots; tease the eyes
Til all is not lost; jump-started, through
Time. I founded my sanction in Kurt Cobain,
Perhaps; this burial of the dead already living.
It is of course Tom that teaches this I. The T, the I,
The T again. Amongst them, amongst them. I’m not.
To be sure. The question begging: what is I?



To Kitty Pryde

Murmeyed,
Beckst thing since, and
I’d
Poeteyes about this,
Pouties – innies and
Outies – indies,
In these: pop
Music’s
Heart
Still beats,
Really. In genie,
Of eeny,
Meeny,
Miny mo,
No,
Mojo,
Tryst
Tress
An idol
I dun-
no.

Friday 20 July 2012

Paris, Deuxième temps…, On Travelling Back from Manchester, via Oxford & The Shard


Paris, Deuxième temps…

Sur un billet de Metro: ‘You taught me
To memorise.’ – To Marcel Proust, under a
Stone, atop his stone; I left a cigarette
For Beckett, this time, in Montparnasse.
And Sartre and de Beauvoir, together, forever,
After Serge Gainsbourg, lipstick-kissed, like Wilde,
Of whom I photo-ed, for Linz, back at home;
To where I don’t want to go, after another
Bit of Paris, il peu de Paris, avec Belle,
Aussi; l’étranger am I, ami, maintenant, dans
le maison (home?) où le coeur est. Le travail de travail,
To come, on the bus – I hope she’ll be alright, unwell,
After a night, by tour Eiffel, again; a
Veritable feast, with Callum, and blue-lipped,
Red-haired Taylor; nothing on our romantic
First trip down there, for phallic sparkle-spotting:
A magic retour après 69 année erotique;
And my irrational hatred of my salubrious hands,
Or my irrational crush on William F. Buckley, Jr.

Of Paris’s poetesses, all, and England’s, and Ireland’s,
Dead (or have I killed…?). Neck and shoulders
Soldered by a cramp that’s crumpled my back, my back
My back! And now we go to Victoria; a
Holiday in rewind, from Pernety, après confit de
Canard et un Stella Artois à Porte Maillot, now,
Strange stairway memory of… years ago, now,
With Adam; un monde différant, perdu. Inside
The Palais des Congrès swathes of sound as if
‘In The Flowers’ by Animal Collective had slowed down,
Via Paul; entering out that door, into a different,
Sober, professional, commercial, driven, world: âmes mort.
Cranes. Haggard people – English-speaking; sing to me in
Bro-ken Eng-li-sh… How to say ‘broken’ in French?
Kaput’s so easy because it’s an onomatopoeia.
Excerption. Of world. Removal. To rain. On Window-
Lessness. Full stop. On Champs-Élysées sous la pluie!
A tropical storm with slatted rain slanted towards us:
And a tumult overtook the seas: on land. Land us,
Ashore.



On Travelling Back from Manchester, via Oxford


I leave Tristan (he to Tokyo, I to Paris) after now perhaps
Having told him the same story twice, and wondering
Whether he thinks I drink too many pints, but not
Wondering whether I drink too many pints, at 19:42;
He platform 2, I platform 5, from Piccadilly.

To New Street; Marvell still minding my own busyness, after
Having had a stearn resurrection, but no time for Shakespeare;
I mean to have a pint at New Street, what with delays here and there.
Platform 1A, indistinguishable from Platform 1B (to 12B).
Ah, a sit down. Next X-country to Oxford; delayed.

Leamington Spa. No. Banbury. No. Marvell. No. Two
Girls talk, solely of themselves, almost without pronouns; shod
Is shoe. I get to Oxford, where the cloistered wellinbred
Face of the hooray Henry sits there staring at me,
In the manner of a disused shallot. This town owes me £50.

The risk of the next train (headache almost insurmountable;
What is it if you drill a hole in your temple?): 5 mins
Turnaround at Didcot Prkwy. (I sneeze so much, at
Peculiar times, I wonder if it’s… from reading too much
Freud I wonder?) I make it. “Could have shut the door

Behind you, buddy.” “I thought there was someone else…”
Train to Cardiff Central, platform 3, is delayed…
“Police are on it at Reading”… indefinitely. I take
A field recording of the creaks of freighters.
And I wonder what there is to drink…

John Smith’s. But we never have John Smith’s;
I’ve wondered thrice if they’re for a special occasion,
And will wonder a fourth time, pulling ring.
00:42, the train is here. Two stops, and a 45 mins
Walk, to beer. Arrive, fourteen hours, for four, after having left.


The Shard

I saw it, at some terrible o’clock, apocalyptic;
Sharding the sky, if I can put it that way. It
Was a wet smog in which its spine was buried;
Did it see, above, a blue? I wouldn’t want to have
Knew. I am on its top, somehow, precariously,
Clinging on, in dreams, of anxiety; awful, inspiring
Total recoil, from that Babelonion knife; the Shard’s
Sharpness of Renzo Piano’s magniloquence. I fear it!
Unholy, tremulous, translucent, skinless thunder, lightning
Strike, upwards. Disconnected, perpetually unfinished
Looking at, I wonder. As have, in stages, as we, have built
Our stages, when it, was our height, on our, first night.
Icepicked of iceblink luck, as we await our Southbank
Away from its terrible glare, awith a
Silkier glace. 

Thursday 15 March 2012

A Year Unsettled (In Memoriam David Emmanuel)

A Year Unsettled (In Memoriam David Emmanuel)




I

Like Rimbaud; such illustriousness followed
By a silence, but ended now in fatality; in – at least,
If not at – the hands of officers; custodians
Without due care and attention, if – that is –
Not in on it; an unlikely opposite. Handcuffed after
The fact, the sad fact of Smiley Culture’s death.
Teacher, poet, translator; Rimbaudian importer,
Miner, of diamonds and gold, from Ghana and Liberia.

As Merlin, a nephew, said in Tottenham, of an ‘internal
Covers-up commission’, a presiding-over a robbed life,
A stoned grave, an entertainer, entertainer, lost. We had not
’Nuff personality of the original ragamuffin MC. Speaking
Quickly, translating Cockney, slanging Maggie, bridging
Discrepancies: abridged now, too early, too early. And a
Year unsettled followed in that wake – a wake among many –
Seeing cut-and-shut, riot, excess, disruption, corruption, occupation,

Unemployment, racism, Powell starkly reawoken, regression
In this recession, to a point history can’t even re-evoke,
Disenfranchised as it is, by the rubbly coverings of subsequences.
If Clegg predicted it, as YouTube’d show you, so what? A cleg to
Stand on’s what they got. And us… we’re left with a single-word oxymoron,
Right, a scandalous might of shady figures with shadier friends,
Embezzled in the networks that purport to report the truth of the world,
An empire of own ends, gratifying itself in miraculous light, as

Plain as day, light, interrogatory, light, shining in their faces, light
That still somehow can be hidden in, cold suns, hoarse gates, no
Rest, no peace. No justice. No peace. Cities, which are now known
As financial districts, and’s how now they operate, became occupied
By a percentage not seen by the BBC, peppered with tears, Maced faces,
Another discrepancy: what makes broadcast news? Two sides, at least;
Thousands of stories. Prompted by austerity, which is what? A cull.
History repeats, not through destiny, but through this discrepancy.

For David Emmanuel.


II

Lacan may have been right, in sixty-eight,
However unfortunately. In Derridean
Terms – as far as I’m able to interpret them –
An instance of ‘reinscription’. A master’s
Mastery remastered. What makes sense,
In this day and age, as they say, is
The topology of the Möebius strip:
Its inescapability.

Don’t get me wrong: revolution
Is necessary, as necessity… as impossible
As it, nevertheless, may be. We must keep
Placarding the bastion. ‘Perpetual’ means,
Precisely, ‘unrelenting’, and unrelenting
Means that we don’t leave any wo/man down;
As proletariat, we’ll tarry at no stations
Of the Big Other’s sacrificial crossings.

What we perceive is, precisely, an answer begging
Questioning. Cutting deeper into open wounds
Tends to prevent healing. Education is a right, not a
Privilege, and if education is about the spreading of
Knowledge, and not the guarding and withholding
Of it whilst pointing and laughing at those disinvested,
It would appear that a great portion of today’s ‘educated’
Have greatly miscalculated their imperative worth.

But indeed, if we should meet with courteousness
The uselessness of our souls,
In the most Žižekian way, with Jones on our
Side; and in an analytic situationing of
Fetishistic disavowals, communistically,
With conditions, etc. and etc., paying with
Attention, through the nose; this is only a
New dawn seen through the slats of a blinded door.

Diagonally striping our floor.

III

So, what is this; some Shellian thesis, antithesis and synthesis?
Perhaps. A say, interpellated in canonical disarray, as I
May have put it. But blared out, what does ‘outside of
Canons’ mean? Precisely what this corporationism breeds.
Going to London on the fifteenth of August, over to the Hale,
Where friends reside now, as well as in Peckham, and Salford,
In my two university cities of that time, and listening to Paul
Gilroy and Merlin Emmanuel, as well as a brave scared mum,

Thinking about the children, our youth mans, our youth womens,
Wanting to stand and to say, from the Westcountry, need to spread
This awareness afield, but overwhelmed; next to smoulders of debris
Still smelling in epicentric catastrophe: moved so, going straight from
Work on a train and tube, reading Kant’s groundwork on board, and
Cracking up nearly, with nervousness when a mile away, having
Never seen this country in such a reality, and yet here a community,
Knowing, knowing what that word means. Trying, uniting, fighting.

For what it can bring.